$9.8M: Biscuit Run Sold to Virginia For 78% Less Than 2005 Price...But Story's Not Over

*Updated at bottom

The PR rep for Hunter Craig and Forest Lodge LLC stated,  “the investors will not come out whole and no one is getting a windfall,” after the announcement that the Commonwealth paid $9.8M for the property for which Forest Lodge LLC paid $46.2M in 2005, $36.4M or 78+% less.

However, the issue of tax credits, which may be sold, remains to be determined in the future.  From the

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The Federal Government Acknowledges Housing Crisis is Deepening, Throws $$$$$$ At Fan & Fred

This blog detailed the condition of the national housing crisis in a recent post.  And then on Christmas Eve, with no Congressional oversight, everything changed.

Santa Claus made an unannounced stop at Treasury, and naughty Tim Geithner was apparently so happy to see him that he wrote Fannie Mae and Freddie Mac BLANK CHECKS.  These entities currently own or back the majority of US mortgages,

Biscuit Run: Here's How A Wealthy Developer May Profit Off A Failed Vision While Albemarle County Continues Its Fiscal Freefall

The details, sketchy as they all are, indicate Hunter Craig's business acumen and his lawyers' knowledge of the property and tax codes; they also let us all understand exactly that those in decision-making capacities for Albemarle County development needed much more information, knowledge, and realism than what they had. (Thousands of additional housing units were necessary in Southern Albemarle

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Aplikasi FB paling laku dari perhitungan yg bermain !!! pada tahun 2009



1. FarmVille

2. Mafia Wars

3. Texas HoldEm Poker

4. Pet Society

5. BuddyPoke

6. Kungfu Pets

7. Cafe World’s

8. Causes

9. Happy Aquarium

10. Restaurant City

Mudah mudahan ninja saga akan muncul di tahun 2010 !!

“20 Game War Terbaru 2010 Game War”

1. Call of Duty Classic

Developer :  Activision Blizzard
Genre  :  Action / FPS
Platform :  Sony PLAYSTATION® 3
Release Date
World : December 2009
USA (NTSC) :  December 2009
Europe (PAL) :  December 2009
Indonesia  :  ??
See this game on other platforms : PC 360
Play modes : Single / Multiplayer
Multiplayer : Internet
Game language : English
Age requirements : 16+
=========================

Festive Fare

So, there you have it. 2009. Whoosh. Gone. Just like that. "Life moves pretty fast. You don't stop and look around once in a while, you could miss it." (RIP John Hughes)

An interesting and exciting year, by all accounts. Two episodes of EastEnders, wrote & directed a short film, and a couple of other bits and pieces. Short film and EastEnders being the obvious highlights. Still have the short film to finish (just waiting on final bit of post-production) but hopefully that will be done and dusted in the New Year. After that, who knows? Push for more commissions. Try to create more opportunities. Write new scripts. Get the short film out there. Do more directing. Make another film (sssh, don't tell my wife).

It's been the Year of the Twitter, too, hasn't it? That's been fascinating, to say the least, especially as I managed to raise £1k with the Twitter Short Film Fund. Although blogs seem to have taken a dip in content and use, social networking sites are all the rage, and there are emerging opportunities for writers (e.g. games for social networks, check them out).

Any-old-hoo, time for a break. Let's see what 2010 has in store. Until then, have a cool yule, yo, and see you in the New Year.

2009 Housing Market At Year's End: Massive Problems and Hard to Clean Up, Like the C'ville "Snowpocalypse"

The thing about being snowbound from an historic storm--see slideshows here and here--is that it gives time to catch up on recent national news in housing and the economy.  And while it's beautiful outside, the City and surrounding Counties have had terrible times getting things back to normal--six days out, and there's still lots of chaos.  Lack of tools and catastrophe planning.

Which, when

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Weekend Before X-MAS...White Out!

Check out The Hook's webcam on the Downtown Mall.
Looks inviting.  However, Governor Kaine warns: People should "...prepare to be on their own for up to 72 hours."  He declared a State of Emergency.  Here's the current predictions for snow, with image via WaPo:


 

Shadow Schemes/Trial Scripts

If you're keen to make it as a TV writer, then an inevitable step in the process is to write a trial episode for one of the soaps. These trials are also known as 'Shadow Schemes'. Essentially, you'll go through the process of writing a real episode from the official storylines without it actually being broadcast. There usually isn't any fee for trial episodes although some of the one hour dramas may offer some remuneration.

A trial episode is a big deal. It's your foot in the door. It's make or break time. In some instances, you'll be asked to write a handful of sample scenes to see if you're suitable to write an entire trial episode. Other times, the sample scenes will be enough to guarantee a commission. It varies from show to show. Let's break it down.

SAMPLE SCENES:
'Sample scenes' may sound fairly straightforward but you'll probably be asked to write 10-15 scenes, or maybe even half an episode. This will usually be the A story of the intended episode, to see how you get on with the characters, dialogue and the arc of that particular plot line.

TRIAL EPISODES/SHADOW SCHEMES:
First draft, notes from script editor, second draft, then a decision is made on whether or not you're suited to the show. Naturally, writing the entire episode gives a much fuller indication of how well you know the series, the characters, etc. It's also a lot harder than you think. You might be good enough to write for the show but there's a lot of competition. You won't be the only one doing a trial episode. Make your script shine.

APPROACH:
Some soaps use scene-by-scene breakdowns (written by the storyliners), and you write the script from there. Others give you a 2/3 page outline of what happens in your episode, and it's up to you to come up with the scenes, structure, etc. Whatever the case, you may settle down telling yourself not to stray too much from what you've been given, and to give them what they want.

This is a bad approach. As it's a trial, they want to see your take on the episode, your original voice. This means giving them what they want but not necessarily what they expect.

Work out the stories. What's really going on? Is there a better beat to be had? What's the character feeling? Is my B story really the A story? Follow the flow of what you need to do but don't just hit the beats. Add flavour, humour, surprise, something that says 'YOU' but within the acceptable context of the show.

When you're familiar with a series and its characters, then follow your instincts on how they would react and behave. When you're unfamiliar, you probably just want the writing gig and your lack of passion or awareness will show.

If you want to break away from some of the storyline, do not be afraid to speak to the script editor and discuss your thoughts. Give solid reasoning why a character would or wouldn't do something. Script editors will know more than you in terms of the wider impact of what you're suggesting, so if they agree with you, you're on the right track. If they think you should stick to the storyline, then listen to what they have to say.

DOING THE NOTES:
It's important, nay vital, to take on notes but it's equally important not to slavishly follow what you've been told (especially if you disagree or don't understand). Absorb the notes as much as possible so you understand the underlying emotions and motivations of what you're being asked to do. That way, you can still remain creative in your dramatisation (sometimes surprising the script editor) but still sticking to the overall sense of what they wanted. Avoid using script editor's suggestions verbatim. Notes are guidelines and suggestions, not instructions or demands. They can be very specific at times but there's usually a good reason. It's a tricky balance. Handle with care. If in doubt, SPEAK TO YOUR SCRIPT EDITOR.

NOT GETTING THE CHARACTERS RIGHT:
This is the most common form of rejection when writing trial episodes. So, while you may think you've done what you've been told and followed the storyline, it may read quite bland or safe. You haven't given the characters some personal sense of detail, dialogue, humour or an unexpected (but plausible) turn of behaviour. So, the most important part of any trial episode is to KNOW THE CHARACTERS. Know how they speak and behave, and what personal history/relationship can be interwoven into the storyline.

HOT TIP:
Watch the show with the subtitles on. Get familiar with the rhythm, tone and tempo of how various characters talk. Soap dialogue can be very tight and sparse but the subtitles occasionally trim the lines back further. Watch and learn.

OVERVIEW:
TV writing is hard work. There's a lot to consider, not to mention negotiating the practical documents that detail what sets or actors are available, and other restrictions. But this is the process, this is the reality. Do your research. Immerse yourself in the show as much as possible. Be prepared and then impress them with your love of the show, and how your original voice will add to the series' continued success.

For a full rundown on the BBC's shadow schemes, check out the dedicated page on the writersroom.

Previous posts on trial episodes: Not Going Out, UK TV specs, Introduction to EastEnders.

---

Want me to read your script? Check out my consultancy page.

BAFTA response

BAFTA were kind to give me a quick reply to my letter (see previous post). They address the Best Screenwriting award issue and why it doesn't get higher billing in their film award show:

"We present 25 awards on the evening of the Awards and, although we consider all our nominees and every award to be equally important, some awards do have to go earlier in the evening. What we try to do, especially for the viewer at home, is to intersperse the more specialist categories with the more familiar categories, including our two screenwriting awards.

By putting the award in the early part of the show, we are not devaluing it at all - quite the opposite - we are using it as one of the highlights of the early portion of the evening."


Here is my reply:

"Thanks for your reply, much appreciated. However, I would disagree with your logic. Writers get treated badly by the industry. I think the media, and BAFTA in particular, need to celebrate and promote screenwriting amongst the higher profile categories, as it would help to raise the awareness and importance of the work. I am not suggesting they take top billing but merely stand shoulder to shoulder with the top gongs. Writing is a craft (as is acting and directing) but it is a vital part of the creation and development of any given project.

Also, I think there is a bigger grievance in placing the TV writing award in the Craft Awards, separate to the main BAFTA TV awards, which seems inappropriate.

A lot of interest has arisen in this issue in the last few days. You may have received similar correspondence recently. I know the Writers' Guild are keen on the topic so I hope they can convince you to change your mind for future award ceremonies."

So, while they will probably remain firm on giving the screenwriting award low billing in their film show, we should be able to persuade them to move the TV writing prize from the Craft Awards into the main TV show. If you'd like to let BAFTA know your thoughts on the matter (politely, please, no need to gnash and wail), then follow this link and fill out the rest.

In slightly related news: wasn't it great to see Graham Linehan win the Ronnie Barker Writers' Guild of Great Britain Award at the Comedy Awards? He was the only comedian to receive a standing ovation for the entire night. A writer. Man alive, imagine that.

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Dear BAFTA

Yesterday on Twitter, I was reminded that BAFTA treat their Best Screenwriting award with considerably less fuss than certain other categories, placing it in the craft section. I even made a comment on it last year at the top of this post.

From Twitter discussion, it emerged that BAFTA were adamant that the writer's award belonged with make-up and sound. This annoyed me, so I moaned about it a little, targeting BAFTAonline with a few comments. However, I felt the complaint needed to be expressed in more than 140 characters. So, here's an open letter to BAFTA which express my feelings on the matter (copy also sent to their offices). Feel free to agree, comment or share.

---

Dear BAFTA

As a screenwriter, I am always surprised and disappointed at the lack of time and attention given to the Best Screenplay award at your award ceremonies. Whilst screenwriting is indeed a craft, it does not belong in the craft section alongside make-up and sound. Every year at awards season, we are treated to the same lip service (from actors, directors et al) that “a good script is the most important part of the process”. Anyone involved in production will agree. Without a script, you don’t have a story. Without a story, you don’t have a film.

So, if you follow that obvious logic, it doesn’t make any sense for the Best Screenplay award to be sidelined in the craft section. Last year, Best Visual Effects got higher billing than screenwriting. Come on BAFTA, if screenwriting is the most important part of the production process, which it clearly is, then give it the attention it deserves. I would politely request that you place it in the main awards, alongside the high profile categories. Let's celebrate and promote screenwriting rather than treat it as a functional cog in the system.

Yours faithfully

Danny Stack

---

Biscuit Run Development Will Never Be Built

From The Department of Coming to Grips With the "New Normal": Charlottesville Tomorrow and The DP have the story. 

The gigantic land parcel, 1,200 acres, in Southern Albemarle, proposed with up to 3,100 homes, will instead most likely be donated as land for a state park.  Details forthcoming.

The Breeden Family made $46.2 Million selling the parcel in 2005 to Hunter Craig.  This was at the peak

Glenmore's Michael Comer Appears Before Grand Jury - Now Seeking Plea Bargain

Accused Glenmore embezzler Michael Comer appeared in Albemarle County Circuit Court today before a Grand Jury.  His attorney told the judge that he hopes to make a plea agreement, rather than face conviction for five felony counts of embezzlement; each carries a maximum of 20 years in prison. 

The updated case status appears below.  The result of today's hearing is entered as "True Bill," which

The Case To Date: Michael Comer Embezzlement Scandal

Scroll down for synopses and complete list of posts on the Michael Comer / Glenmore Scandal.
Update 7: April 13: Comer to appear in court, said to plead guilty. 
Update 6: April 9: Comer's Brother-in-Law's RE Agency Teams Up With BHG
UPDATE 5: April 7: Comer Relists Investment Property For Sale At 35% Below Orig Asking
UDATE 4: February 4: Comer Residence Sells For 32% Less Than Original Asking

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195 Georgetown Road: "1960 Called and They Want Their House Back!"

The quote is from the listing.  Also: "Bring your remodeling idea book...." The house, on 3.84 acres between Hydraulic and Barracks, was last purchased for $200K in 1994.   Assessed: $337.9K.

 2009 is calling to say that sales in this price range are down YOY 33%, and many of those sold properties didn't need full remodels.

 Click for larger image in new window.


Above image copyright CAAR.

Albemarle County Affirms Plan to Raise Property Taxes, Stop All Infrastructure Improvements for 5 Years, Deny Teachers Pay Raises

...from Wednesday's Board of Supes meeting.  The plan provides direction for financtial planning but is  "not binding."  On Property taxes:

The five-year plan also calls for a 77.2-cent real-estate tax rate for the next five years. At that rate, officials project the average county homeowner would pay the same real-estate taxes for the next two years as under the current 74.2 cents rate, once

Guiding Lights 2009

Here's official blurb for this year's Guiding Lights mentoring scheme. Well worth a look/punt.

GUIDING LIGHTS LAUNCHES AGAIN

Are you a talented, ambitious filmmaker with at least two years professional experience?

Have you reached a critical point in your career where high quality industry support would help you reach the next level?

Would a mentor’s expert guidance enable you to achieve your full potential?

If so, Guiding Lights is for you.

Following two successful rounds of Guiding Lights, we are looking for another 25 up-and-coming film professionals to match with top industry talent. Successful applicants will benefit from 12 months of one-to-one mentor support from an established practitioner. Previous mentors include Danny Boyle, Paul Greengrass, Gurinda Chadha, Kenneth Branagh, Alison Owen, Christopher Hampton and Bill Nicholson.

We welcome applications from across the community and will select participants from a range of industry disciplines. The scheme is open to directors, producers, screenwriters, cinematographers and professionals working in sales, distribution, exhibition, marketing, publicity and business affairs.

Please check the website for eligibility criteria, guidelines and FAQs.

APPLICATION DEADLINE: 1pm Wednesday 23rd December 2009

---

Also, if you're based in Brighton, you might be interested in a FREE screenwriting talk this Thursday 3rd December, at the Lighthouse.

From Script to Screen – Understanding The Market
Thursday 3rd December
6.30pm: Doors open
7.00pm: Event start
@ Lighthouse, 28 Kensington St, Brighton BN1 4AJ
Entry: FREE

Lighthouse presents an exclusive opportunity to hear industry experts give their best insights on how to negotiate the balance between the creative aspects and business considerations of filmmaking. Hear their thoughts on what's hot and what's not, ways to up the pulling power of your project, the F word... finance – where to find it and how to access it, approaching sales agents and distributors, the best routes to market and a road map to get you there, the do’s and don’ts of schmoozing and top tips on how to increase your chances of success in a high risk industry.

Chaired by David Castro of Screen South, with guests, Dan MacRae (Head of Development, Optimum Releasing) and Nicky Bentham (Producer, Moon, Taking Liberties)

For more information about the event and panellists please visit the website.

---

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Lumayankan buat

Crozet Townhouse - 2006 Buying Price: $267K. 2009 Asking Price: $212K

1120 Edmond Court, in Waylands Grant, behind the Old Trail development in Crozet.

Photo above via/copyright CAAR

PNG below from Albemarle County Records

Related Reading:  Old Trail For Sale

Virginia Borrows $1.26 Billion To Pay Unemployment Claims

Via Mish and originally at Hampton Roads PilotOnline.

The Commonwealth will tap into funds borrowed from the US Treasury, which was arranged in September by outgoing Governor Tim Kaine.  The funds will carry interest payments of about $36.7 Million.  The last time this kind of borrowing was necessary was in 1983.  From the article:


The state's average unemployment tax per employee will jump